Spotlight On: Professional Development for Artists at Convening Culture 2014

by Tim Storhoff

Convening Culture 2014 will take place January 28-29 at the Vero Beach Museum of Art.

Convening Culture 2014 will take place January 28-29 at the Vero Beach Museum of Art.

On January 29 during the statewide cultural conference, “Convening Culture 2014: Connecting the Arts with Environmental Conservation,” there will be multiple opportunities for Florida artists to present their work, meet other artists and patrons, and gain important career skills. One conference highlight for artists will be the two professional development sessions presented by the Creative Capital Foundation.

Creative Capital is a national nonprofit organization dedicated to providing integrated financial and advisory support to artists pursuing adventurous projects in multiple disciplines. Through their Professional Development Program, which has been developed by artists for artists, Creative Capital has provided career, community and confidence building tools to help all artists become successful in their fields. In its first ten years, this program has reached more than 5,500 artists in 150 communities. The Florida Division of Cultural Affairs has been partnering with Creative Capital to present professional development workshops in Florida since 2007.

Creative Cap pd-program-logo

The Creative Capital sessions at Convening Culture 2014 will be:

  • Social Media: How to be Everywhere, All the Time
    Includes strategies and practical tips on how to most effectively use social media to communicate about your work and ideas; expand your audience, peer and professional network; and create a deeper connection with the general public.
  • Advocacy & Support Systems
    Provides perspectives on the important role artists can play in advocating for themselves, each other, and the field while explaining ways to develop support systems with other artists and strengthen connections between artists and non-arts partners.

The Creative Capital sessions will be presented by Eve Mosher, an artist and interventionist living and working in New York City. Her works raise issues of involvement in the environment, public/private space use, history of place, cultural and social issues and our own understanding of the urban ecosystem. In addition to being a consultant/leader for Creative Capital’s Professional Development Program, Eve is an Assistant Professor at Parsons the New School for Design. Her public and community-based artworks have received grants from New York State Council on the Arts and New York Department of Cultural Affairs, both through the Brooklyn Arts Council and The City Parks Foundation.

For a taste of the information presented by the Professional Development Program, visit Creative Capital’s The Lab blog. Spaces at Convening Culture are limited, so view the full schedule and register now at florida-arts.org/conveningculture.

The original version of this article appeared in the November 2012 Cultural Connection, the newsletter of the Florida Division of Cultural Affairs. We encourage you to sign up for our mailing list to receive future updates.

Postcard From: The Creative Capital Professional Development Workshop

by Tim Storhoff

This past weekend, the Florida Division of Cultural Affairs along with Citizens for Florida Arts, Inc. partnered with the Creative Capital Foundation to offer a Professional Development Workshop to 24 artists from across the state of Florida that work in a variety of disciplines. This intensive two and a half days were a crash course in self-management, strategic planning, fundraising and promotion. The full weekend of lectures, peer critiques, one-on-one consultations, and interactive exercises took place in the beautiful University Gallery and nearby classrooms at the University of Florida in Gainesville.

The workshop leaders included Colleen Keegan, Aaron LandsmanJackie Battenfield (if you’re near Sarasota, check out Jackie’s exhibition at the Allyn Gallup Contemporary Art gallery on display through February 9), César Cornejo, and Beverly McIver. For more information, you should check out Jackie’s book The Artist’s Guide: How to Make a Living Doing What You Love as well as the HBO Documentary Raising Renee about Beverly. By sharing their personal experiences and numerous resources, these artists and administrators provided the tools and methods that will help attendees manage the business side of their art with greater efficiency and results, allowing them to expand their skills and build more sustainable careers.

Here are some photos I took to chronicle this exciting and constructive weekend:

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"A bigger dream is much easier to achieve than a small dream, because it is inspiring."

“A bigger dream is much easier to achieve than a small dream, because it is inspiring.”

Beverly McIver explains how she worked towards achieving her own goals during the Strategic Planning session.

Beverly McIver explains how she worked towards achieving her own goals during the Strategic Planning session.

Participating artists enjoying lunch outside the gallery.

Participating artists enjoying lunch outside the gallery.

Workshop leaders and artists were able to share stories and discuss their work.

Workshop leaders and artists sharing stories and discussing their work.

Participating artist Julia Morrisroe describes an upcoming exhibition during Targeted Marketing.

Participating artist Julia Morrisroe describes an upcoming exhibition during Targeted Marketing.

Here are the results we came up with during our Targeted Marketing brainstorming session.

Here are the results we came up with during our Targeted Marketing brainstorming session.

"We want to dispel the myth we often tell ourselves that we are lucky to be artists, and because of that we don't deserve to be paid well. A passion for what you do should not preclude being paid."

“We want to dispel the myth we often tell ourselves that we are lucky to be artists, and because of that we don’t deserve to be paid well. A passion for what you do should not preclude being paid.”

Artists and workshop leaders enjoying the beautiful weather we had by meeting outside.

Artists and workshop leaders take advantage of the beautiful January weather by meeting outside.

Participating artist RIchard Seidel thanks the workshop leaders for the uplifting weekend.

Participating artist Richard Seidel thanks the workshop leaders for the uplifting weekend.

Creative Capital is a national nonprofit organization dedicated to providing integrated financial and advisory support to artists pursuing adventurous projects in five disciplines: Emerging Fields, Film/Video, Literature, Performing Arts and Visual Arts. Working in long-term partnership with artists, Creative Capital’s pioneering approach to support combines funding, counsel and career development services to enable a project’s success and foster a sustainable practice for its grantees. In its first decade, Creative Capital has committed more than $20 million in financial and advisory support to 325 projects representing 406 artists, and has reached an additional 3,700 artists around the country through its Professional Development Program.

The Division of Cultural Affairs partnered in presenting this program because we firmly believe that providing support and resources to Florida’s Individual Artists helps all of Florida’s cultural landscape. The Division has offered professional development opportunities like this workshop for Florida artists since 2006. Through these opportunities, over 250 artists have been trained in career-building skills such as marketing, time management, fundraising, and strategic planning. Additionally, the Division offers one grant program for individual artists, the Individual Artist Fellowship Program. The Fellowship Program provides monetary fellowships to Florida Artists to support their work and careers and to recognize the outstanding talent and artistic contributions of Florida artists. Individual artists enrich our communities and the world around us, and their works highlight our state’s diversity and create connections to our history. Spending time with these artists and learning about their endeavors during the workshop reminded all of us that Florida is a special place to live and work.

Thank you to everyone for a wonderful weekend! We are especially grateful to the workshop leaders from Creative Capital and the helpful staff and administrators at the University of Florida College of Fine Arts. We look forward to seeing where these artists take their careers from here!

Art Talk with Nathan Selikoff

by Jennifer Hoesing

Nathan Selikoff

I first met Nathan Selikoff when he participated in a Creative Capital Professional Development Program (PDP) workshop for artists hosted by Citizens for Florida Arts, Inc. with support from the Division of Cultural Affairs and the National Endowment for the Arts. His work blurs the lines between art, math and computers and explores their junctions. Nathan is participating in a second Creative Capital PDP in Tallahassee this weekend, and in advance of that experience, I asked him a few questions via email about his work.

DCA: Your work experiments with the overlap between art, math and computer programming. What have you discovered about the intersections between these disciplines?

Untiled Faces at Process & Influence. Image courtesy and used by permission of Nathan Selikoff.

Nathan: This is where all the interesting things happen! Many people think art and math are somehow incompatible, or have nothing to do with each other. While they do represent different ways of thinking, I see beauty in both and many connections between them. Furthermore, I believe both are, in their own ways, seeking to uncover beauty and truth.
I have always been drawn to the polymath or “renaissance man” – another way of saying this is that I am most satisfied when both the left and right sides of my brain are engaged. Leonardo da Vinci is the classic example of a polymath, but there are many, many others that inspire me and let me know I’m in good company as I explore the blending of art, math, science, nature, algorithms, and computers. Just a few examples from the past would include Dürer, Escher, Hofstadter, and Laposky. More recent examples include Mandelbrot, Moscovich, Pickover, the Algorists, Scott Snibbe, Jared Tarbell, Marius Watz, Casey Reas, Ben Fry… the list goes on.
DCA: Speaking of intersections, you’ve collaborated with composers in Orlando, Miami and Brooklyn. What was it like seeing your art set to music? Has that experienced further altered the way you consider your work?

Full Dimensions rehearsal, a collaboration with Keith Lay, Marc Pinsky, Full Sail University, the Orlando Philharmonic, and Maestro Dirk Meyer. Image courtesy and used by permission of Nathan Selikoff.

Nathan: My recent projects with composers have been really enjoyable and eye-opening, on many levels. Collaborating with musicians is fun, exciting and challenging, and has introduced me to a new source of inspiration and way of working. I listen to a piece of music and just close my eyes and let my imagination go. I think about how the piece makes me feel and the images and shapes it brings to mind, and work to interpret it visually to bring about that same emotion in the visual realm.
Music and sound are always experienced temporally, so in many ways they are more akin to mediums such as video, animation, and performance. I have spent a lot of time working with static images in the past (my fine art prints), and it has been great to get back to the moving image and the element of time, which engages people in a completely different way.
I also want to mention that I find the community of musicians to be very open, welcoming, and supportive of one another. They experience the same kinds of struggles and triumphs that visual artists do, and I believe we have a lot to learn from one another and from collaboration.
DCA: Your website features some stunning images of your work as a part of interior design. How were you inspired to feature your work in interior design settings?

Image from Nathan Selikoff online store. Image courtesy and used by permission of Nathan Selikoff.

Nathan: Most of those images are either staged or simulated with some Photoshop magic, and I created them specifically to target high-end, high-tech, modern and contemporary interior design settings as a market for my fine art. This is based on my research and on conversations with my supporters and collectors. I think these types of spaces would look fantastic with my artwork hanging in them 🙂
DCA: You’ve been a part exhibitions in all kinds of spaces, from the most traditional gallery settings to up and coming collaborative work spaces and even an exhibition at the Joint Mathematics Meetings. What has been your takeaway from being a part of a diverse collection of cultural venues?

Untitled Faces. Image courtesy and used by permission of Nathan Selikoff.

Nathan: Confusion! Just kidding – kind of. As an emerging artist, I have taken opportunities as they come and tried to cast a wide net and see what I catch. Most of these exhibitions have been wonderful experiences. However, I am getting to a point where I need to tighten my focus and pursue the opportunities that will best contribute to the sustainability of my career (financially and otherwise).
DCA: This weekend you will be participating in a Creative Capital Professional Development Workshop. How did attendance at your first Creative Capital workshop help you advance your career? What are you looking forward to in the weekend ahead?
As I have alluded to in the previous two answers, one of my questions at the workshop this weekend will be how to narrow my focus and choose those opportunities and relationships that will be fruitful to my career. I have committed myself to a long-term, sustainable career as an artist, and I need help getting there!
Creative Capital’s Professional Development Workshops have already been instrumental in my development as a fine artist. Specifically, since the previous workshop I attended two years ago, I have been in my first one- and two-person exhibitions; opened up some new sources of income with lectures, performances, and online sales; and perhaps most significantly, left a full-time job to return to freelancing and focusing on my art career. Some of the highlights from the previous workshop were learning and practicing negotiating skills, diving into an analysis of how I actually spend my time, and understanding how to use social media in the context of my art career. I was a Facebook hold-out for a long time, but decided to jump in for the purpose of marketing myself and my artwork, and it has been a good decision.
Being an artist can be a lonely and solitary pursuit at times. Besides providing practical information, I find workshops like this essential for connecting more deeply with other artists who share my journey.
DCA: The Division of Cultural Affairs believes in the motto “Culture Builds Florida.” What do you think when you hear that phrase? Why do you believe arts and culture are important to our state?
When I hear “Culture Builds Florida” it makes me proud. I am so glad that there are organizations like the Division of Cultural Affairs and people like you who understand the importance of the arts and culture to the overall health and strength of our society – emotional, social, spiritual, intellectual, and economic. Arts and culture help us see ourselves as we were, as we are, and as we could be.