by Tim Storhoff
Recently, Florida artist Brian R. Owens created this video of a sculpture exhibition at the Albin Polasek Museum & Sculpture Gardens and shared it with the Culture Builds Florida blog. The show entitled “From Start to Finish” took place last year and featured the work of the Florida Sculptors Guild, which aims to be the “go to” place for all things sculptural in the state.
The sculptures presented in “From Start to Finish” can be seen in the video below, which Owens and edited. He describes the exhibition as follows:
The title of the show embodies its theme. Each sculpture was accompanied by a printed description with photos of the process used to create it. The methods and materials of sculpture are diverse. Materials included bones, paper, fired clay, plastilina, bronze, plaster, ceramics, steel, stone, wood, fabric and wood branches. Methods varied from direct modeling (which is how I made my piece) to more complicated processes such as “lost wax” bronze casting. Pieces varied greatly in size. The intent of the sculptors varied as well. Marla E’s playful work included a sign inviting people to touch and rearrange it. Linda Brant’s work flows from deeply held beliefs about our relationship to other forms of life. The exhibit space was small but this shortened the distance between the viewer and the work, making the experience more intimate, less formal. The work was good and the presentation unusual. This may be why curator Rachel Frisby reported that the show was more than well received. It was a hit!
I asked Owens to discuss the current status of sculpture as an art form in Florida and what role the Guild plays in promoting it.
When you say “sculpture in Florida” my mind hears it as “opportunities to do sculpture commissions in Florida in the immediate future and be paid properly.” Such opportunities appear to be rare. I can only see things from my perspective and I don’t have a birds-eye view of the State, but it is possible to manage without one. The Guild is diverse so I’m speaking for myself when I say I consider Florida as my backyard and this time zone as my neighborhood. Florida may be in its infancy as a market but I’m working on my first transatlantic commission, albeit a small one. Systems that worked for me before, such as gallery representation, are now just another tool in my tool box.
The ability to share sculpture through film is an additional tool that Owens plans to use moving forward. “Given the unusual space and the lush surroundings, the decision to make a movie was an easy one,” he said. “Getting it done was a bit harder than I thought. I had to borrow a camera, build some gear, learn how to use apps and find music to license.” The video documenting this exhibition was designed for YouTube and small screens, but Owens says the next movie will be in high definition.
The Florida Sculptors Guild was established in 2008 and was the brainchild of Amy Wieck and Linda Moore. Wieck explained, “Our mission is to enrich, include and educate our community about the sculptural arts. We provide emerging and established sculptors the space, education, exposure, and connections they need for artistic, creative and professional advancement.” The Florida Sculptors Guild is a valuable resource for anyone wishing to purchase a sculpture by connecting them with its professional members.