Spotlight On: The Future of Arts and Culture Districts in Florida

by Bob Evans

I might dispute the claim that a river is the only feature missing from Tallahassee, but I won’t dispute that Johnny Cash lyrics always make a salient point. In a recent Emerging Leaders Blog Salon post at the Americans for the Arts ARTSblog, “Another Wide River to Cross: Incentivizing an Arts District in Tallahassee,” my colleague, Tim Storhoff, gives some excellent commentary as to why a centralized arts district can be a defining factor in the overall health of a city. The truth is that these arts and culture districts provide a community with a meaningful sense of place and purpose, the likes of which cannot be easily replicated.

Map of the Bradenton Riverwalk from http://www.realizebradenton.com

At the behest of the Florida Council on Arts and Culture, I’ve done some research on the subject of arts and culture districts. I found that these areas, intended to create a “critical mass” of places for cultural consumption, have 4 major outcomes:

  • Attracting artists and cultural enterprises
  • Fostering cultural development
  • Encouraging economic growth
  • Fulfilling community needs – both rural and urban

These outcomes are condensed from the National Association of State Arts Agencies Policy Brief on State Cultural Districts, which naturally also defines the state’s roles.  Currently, 12 states have enacted legislation for arts and cultural districts, but Florida is not among their ranks. Overall, I feel like the recognition, facilitation, and cultivation of these districts by the state is the most crucial part of the process.

Originally, I was unclear if the catalyst of these districts came from a grassroots or local effort or from the state; was it a top-down or bottom-up approach? Through my research, I discovered it was more of a growth from a younger program to an older program, where the criteria are established first, and grants, funding, and tax incentives are added later. The current models in states like Texas and Maryland support this.

Maryland is especially receptive to these districts, and has provided admissions and amusement tax exemption, income tax credit, and property tax credit for these districts, the most of any state. The benefits of these districts are astounding. Towson University conducted an economic impact study of these arts districts in Maryland, and found that “an estimated 1,621 jobs, $147.3 million in state GDP, and $49.8 million in wages were supported on average annually between 2008 and 2010.”

Florida has some excellent examples of arts and culture districts, from the Bradenton Riverwalk, to the Tampa River Arts and Channel Districts, Jacksonville’s CoRK District, Miami’s Design District, and on. But as of right now, there are no local or state systems to provide a forum for communication, nor are there direct tax incentives for these areas. If Tim’s dream comes true, there will be a vibrant district right in the middle of Tallahassee, and, as he theorizes, “If Florida’s policy makers can experience the benefits of an arts district firsthand, perhaps a statewide system can be implemented.”

Right now, it’s hard for anyone to see long term benefits of giving tax breaks, especially to relatively new programs. It’s going to take time, and we need to be cautious, which is exactly why states like Texas have adopted the certification-only approach without incentives. It’s a great way to test the efficacy of the program. But, as for the future, I’ll just have to defer back to Mr. Cash: “I don’t know. I can’t say. I don’t like it, but I guess things happen that way.

Spotlight On: Poetry for All at the O Miami Poetry Festival

by Tim Storhoff

The goal of the O, Miami Poetry Festival is for every single person in Miami-Dade County to encounter a poem. This event returns in 2013 to once again attempt to deliver poetry to all 2.6 million+ residents of Miami-Dade County during the month of April, which is National Poetry Month. Created by University of Wynwood with founding sponsor the John S. and James L. Knight Foundation, O, Miami is both a celebration of contemporary poetry and an experimental project to turn a metropolitan area into a canvas for the literary arts.

In 2011, poems were flown behind airplanes, dropped out of helicopters, sewn into clothing, and attached to every single bus in Miami-Dade County. Events featured actors (James Franco); choreographers (Jonah Bokaer, Rashaun Mitchell); artists (Anne Carson, Sam Winston); and, yes, poets (W.S. Merwin, Tracy K. Smith, Raúl Zurita). The festival was covered nationally and internationally by The New Yorker, NPR’s Morning Edition, Dwell magazine, Best American Poetry, and the Associated Press, and chronicled in a new Knight Foundation report.

To continue trying to reach every person in Miami-Dade County this month, the festival organizers are undertaking a new series of projects and events to re-imagine what’s possible in the presentation of contemporary poetry, including:

  • A special celebration with Thurston Moore, lead singer of Sonic Youth; Richard Blanco, the Miami-raised poet who read at the 2013 Presidential Inauguration; and Megan Amram, a poet, comedian, and writer for the NBC show Parks & Recreation
  • A final weekend on South Beach that will feature readings and performances from the most diverse group of poets we’ve ever assembled, including Kevin Young, Chase Twitchell, Jean Portante, Jose Angel Leyva, Eduardo C. Corral, and Frank Báez
  • A book called “That’s So Miami!” published by the people of South Florida. Send us your poems that begin or end with the phrase #ThatsSoMiami and we’ll play them on WLRN 91.3 FM, post them online and select the best ones to go into the book.
  • “Poetry is Dead”: the first-ever poetry parade on South Beach featuring performances by well-known dead poets
  • A special “local poem” displayed pasted on 100 lampposts banners Will we ever see another month so full of poetry?”
  • Poems written by South Floridians flown behind airplanes
  • Brand-new “poetry films” commissioned from and created by those behind the Borscht Film Festival
  • A Tatoo + Poetry Night featuring legendary tattoo artist Duke Riley
  • A new dance + poetry piece by Merce Cunningham alumni Rashuan Mitchell and Silas Reiner commissioned and created for O, Miami
  • An opening ceremony with Miami legend Trick Daddy
  • The first-ever Miami Literary Trivia Night
  • An open mic reading series for locals
  • A “poetry soapbox”: everyday at 5 p.m., a poet will read on the front steps of The Betsy Hotel
  • A poetry-themed flash mob

“Today’s audiences demand to be engaged, and often that means taking art out of the symphony halls and into people’s everyday lives,” said Dennis Scholl, vice president/arts at Knight Foundation, whose art program inspired and funded the festival. “Whether you’re a poetry enthusiast or organizing a small music festival, the lessons from O, Miami will resonate.”

A new report commissioned by the Knight Foundation chronicles the rise of Miami’s art scene and the unorthodox, inaugural O, Miami festival. It also offers insights for any cultural organization trying to engage new audiences and reframe art for their communities. For some additional tips, check out O, Miami co-founder Scott Cunningham’s tips in Bringing Art to People: 8 Ways a Cultural Event can Transcend Genre, Geography and Demographics.

The O, Miami Poetry Festival will be taking place all throughout April, and you can visit their calendar for a list of scheduled events. If you’re a part of a cultural organization, we also encourage you to read the above reports and articles for useful information that can help us all in our goals to more successfully bring the arts and culture to all Floridians.

Spotlight on: Italian Culture in Florida & The Italian Family Festa

Submitted by Elizabeth Ricci

This is the “Year of Italian Culture in the U.S.” according to the Italian embassy in Washington, DC. 2013 “commences a journey that will communicate and promote Italy, engage and enthuse Americans, strengthen the bonds that unite us and create new ones.” New bonds are being formed and old bonds strengthened every day here in the Sunshine State. According to the National Italian American Foundation, Florida is home to approximately eighteen Italian Festivals and just over one million people of Italian heritage.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Two Italian-American women in Tallahassee, Shelley Duke and Elizabeth Ricci, recognized the need to celebrate their shared culture and founded the Tallahassee Italian Family Festa in 2010. The event was so popular that it was named “Best Inaugural Festival” by the National Association of Italian Festivals and one of the “Top Ten Festivals” to attend by the Miami Herald. Having run out of specialty Italian food the first year and out of space the second year, the third annual Italian Family Festa will celebrate all things Italian on new grounds and with an abundance of pastries and specialty foods as well as offering cultural activities and “famiglia” fun. An Italian consulate attaché will be on hand with words from the Italian Consul General in Miami.

The entertainment celebrates ancient Italian art forms including the Cirque Italiano, opera, stomping grapes and tossing tomatoes, to name a few. Artists from across the panhandle will create 3D sidewalk chalk masterpieces in the ancient Madonnari tradition which dates back to the 1500s and is named for the “Madonna” when itinerant artists painted streets near the cathedrals where they worked. The event will also feature Italian beer, wine and limoncello, bocce, a gondola, and exotic cars, and cooking demonstrations. The Italian Family Festa is not just celebrating yesteryear, however, as this year the Festa debuts the Italian Idol competition to encourage both young and old to compete in song. With separate competitions for kids and adults, two lucky winners will be crowned for their musical talents in this competition judged by local celebrities.

In addition to being the Year of Italian Culture, in 2013 Florida is celebrating Viva Florida 500 and commemorating the 500 years of history since Juan Ponce de Leon landed on Florida’s coast in 1513. Since that time, many cultures have come together in our diverse and vibrant state, and the Italian Family Festa is just one of the many cultural festivals that occur each year throughout the state.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

Photo by Mike Copeland. Submitted and used by permission of Elizabeth Ricci.

The Italian Family Festa will take place on April 13 and 14 at the Tallahassee Automobile Museum. To learn more, visit
http://www.italianfesta.org
.

Spotlight On: “La Florida,” The Florida Artists Hall of Fame sculpture

by Tim Storhoff

Induction into the Florida Artists Hall of Fame is the highest honor bestowed upon creative individuals by the state of Florida. When three artists are inducted into the Hall of Fame on March 20, they will have a plaque in their honor added to the Florida Artists Hall of Fame Wall on the Plaza Level in the rotunda of the Capitol Building and receive a sculpture of La Florida by Florida sculptor Enzo Torcoletti.

Enzo Torcoletti with his most recent "La Florida" sculptures. Photo taken and used by permission of Tim Storhoff.

Enzo Torcoletti with his most recent “La Florida” sculptures. Photo taken by Tim Storhoff.

The state legislature established the Florida Artists Hall of Fame in 1986 and sought someone to produce the award that would be given to inductees. The following year, Mr. Torcoletti was contacted about the project and began working on potential designs for the sculpture.

Enzo Torcoletti was born in Italy and began studying art there before moving to Canada. He received a B.A. in English literature in 1968 and a B.F.A. in sculpture and printmaking in 1969 from the University of Windsor. He then came to Florida to continue his studies, and in 1971 received his M.F.A. in sculpture from Florida State University. He then taught sculpture, drawing, and art history at Flagler College in St. Augustine for years, and is now an Emeritus Professor. For the last forty years, Enzo has actively produced sculptures for exhibits and commissions.  His work has been shown extensively and is included in numerous private and public collections in Florida, across the U.S., and abroad. He now splits his time between his homes in Florida and Tuscany.

When he was selected to make the sculpture that would be given to Florida Artists Hall of Fame inductees, he began making sketches followed by more in-depth drawings. In coming up with his concept, he decided that it should be something unique to Florida. He wanted it to be semi-abstract but incorporate the female form, because when Juan Ponce de León named the land he used the feminine word La Florida. The feminine form is also representative of the Muses that according to Greek myth provide inspiration for the arts.

A preliminary drawing for a sculpture by Enzo Torcoletti. Photo by Tim Storhoff.

A preliminary drawing for a sculpture by Enzo Torcoletti. Photo by Tim Storhoff.

"La Florida," the Florida Artists Hall of Fame sculpture by Enzo Torcoletti.

“La Florida,” the Florida Artists Hall of Fame sculpture by Enzo Torcoletti. Photo courtesy of Florida Division of Cultural Affairs.

Enzo also wanted it to evoke the water and beaches associated with our state, so he chose to include elements of waves and to make it look partly like skeleton of a shell you might find after a storm. The spiral at the top of the sculpture, when viewed from above, is  like the eye of a storm during a hurricane. Enzo carved the initial model for the sculpture out of wax and then created a rubber mold before the final bronze casting using the lost-wax method. The base is made of Florida limestone resulting in a heavy and substantial award given to inductees. The original maquette prototype is on display in the Twenty-Second Floor Capitol Gallery in Tallahassee.

All of Florida’s artists contribute to our vibrant and diverse communities and show that this is a special place to live and work. We are pleased to honor those who have made the greatest contributions to the arts in Florida with this beautiful sculpture. The 2013 inductions to the Florida Artists Hall of Fame will take place during the Florida Heritage Month Awards on March 20. The award ceremony will take place in Tallahassee at Mission San Luis, Florida’s Apalachee-Spanish Living History Museum. This year’s Hall of Fame inductees include performer Gloria Estefan, singer/songwriter Frank Thomas, and painter Laura Woodward. This will make fifty-five artists who have been inducted into the Hall of Fame since the first ceremony in 1987. Other awards to be presented at Mission San Luis include the Florida Folk Heritage Awards, the Secretary of State’s Historic Preservation Awards, and the Florida Book Awards. To learn more about Florida Heritage Month, please visit
http://www.floridaheritagemonth.com
.

To learn more about the lost-wax method of creating a bronze sculpture, check out this video from artist Brian Owens who used it to create the St. Augustine Foot Soldiers monument:

Postcard From: The Poetry Out Loud 2013 Florida State Finals

by Tim Storhoff

On Saturday, March 9, forty-four high school students from across the state of Florida came to Tallahassee to compete in the Poetry Out Loud Florida State Finals. This year, the Poetry Out Loud program in Florida assisted nearly 20,000 Secondary-Level students in learning about poetry in their classrooms. Program outreach to Florida’s many school districts included suburban, inner-city and rural community schools around the state. Poetry Out Loud uses a pyramid structure that starts at the classroom level. Winners advance to a school-wide competition, then to a regional and/or state competition, and ultimately to the National Finals. Teachers at more than fifty Florida high schools completed this program through to the end, and forty-four schools sent one student winner each to represent their school in the State Finals competition.

The photos below depict the full and enlightening weekend these students had.

The forty-four students who competed on March 9.

Forty-four students who won the individual competitions at their own schools came to Tallahassee and competed on March 9.

The poetry-filled weekend began at the historic Knott House Museum on Friday night, where students were able to introduce themselves and share some of their own poetry.

The poetry-filled weekend began at the historic Knott House Museum on Friday night, where students were able to introduce themselves and share some of their own poetry.

Competing students, their families, and some teachers arrived to the R.A. Gray building in Tallahassee early on Saturday morning to register and prepare.

Competing students, their families, teachers and guests arrived to the R.A. Gray building in Tallahassee early on Saturday morning to register.

Competing students were given shirts, poetry books, CDs, and other giveaways provided by our gracious sponsors.

Competing students were given shirts, poetry books, CDs, and other giveaways provided by our gracious sponsors.

Recitations were judged on physical presence, voice and articulation, dramatic appropriateness, level of difficulty, evidence of understanding, overall performance, and accuracy.

Aaron Abiza from Hialeah Senior High School in Miami-Dade County chose “Lazy” by David Yezzi for his first poem. Recitations were judged on physical presence, voice and articulation, dramatic appropriateness, level of difficulty, evidence of understanding, overall performance, and accuracy.

After a full morning that included each student reciting their poem, the top 25 participants were chosen to advance to Round Two.

After a full morning that included each student reciting their poem, the top 25 participants advanced to Round Two.

During the lunch break, students had a chance to talk about their poems over pizza.

During the lunch break, students had a chance to talk about their poems over pizza.

Seth Snow, who won the competition at the Florida School for the Deaf and the Blind in St. Augustine,  advanced to the second round and used ASL to share his poems.

Seth Snow, who won the school-wide competition to represent the Florida School for the Deaf and the Blind, advanced to the second round and used ASL to share his poems.

Rhen Davis from Bucholz High School in Alachua County recited "The End of the World" by Dana Gioia. This program encouraged students like Rhen to learn public speaking skills, build self-confidence, and learn about their literary heritage.

Rhen Davis from Bucholz High School in Alachua County recited “The End of the World” by Dana Gioia. This program encouraged students like Rhen to learn public speaking skills, build self-confidence, and learn about their literary heritage.

In the afternoon, ten students were chosen to go on to the third and final round.

The judges selected ten students to go on to the third and final round.

Second place winner Ricky Vega-Bossa from Western High School in Broward County recited "The Charge of the Light Brigade" by Alfred Lord Tennyson during the final round.

Second place winner Ricky Vega-Bossa from Western High School in Broward County recited “The Charge of the Light Brigade” by Alfred Lord Tennyson during the final round.

The 2013 Poetry Out Loud Florida State Finals champion Kourtney Brooker, reciting her poem during the final round.

The 2013 Poetry Out Loud Florida State Finals champion Kourtney Brooker, reciting her poem during the final round. Kourtney will go on to represent Florida in the National Finals in Washington, D.C.

When the competition was all said and done, everyone had the chance to socialize during a reception before going their separate ways.

When the competition was all said and done, everyone had the chance to socialize during a reception before going their separate ways.

Participation in this program requires commitment from teachers and parents, and many teachers take on this process in addition to their regular duties because of how strongly they value the program and because of the results they see in their students. These results go beyond the literary knowledge, public speaking skills, and self-confidence already mentioned. John Coleman, in the Harvard Business Review, has recently written about the benefits of poetry for professionals, and now these Poetry Out Loud students can reap those benefits. Coleman argues:

For one, poetry teaches us to wrestle with and simplify complexity. Harman Industries founder Sidney Harman once told The New York Times, “I used to tell my senior staff to get me poets as managers. Poets are our original systems thinkers. They look at our most complex environments and they reduce the complexity to something they begin to understand.” Emily Dickinson, for example, masterfully simplified complex topics with poems like “Because I could not stop for Death,” and many poets are similarly adept. Business leaders live in multifaceted, dynamic environments. Their challenge is to take that chaos and make it meaningful and understandable. Reading and writing poetry can exercise that capacity, improving one’s ability to better conceptualize the world and communicate it — through presentations or writing — to others.

Additionally, poetry can help people develop a more acute sense of empathy, foster creativity, and teach us to infuse life with beauty and meaning. Through engagement with poetry, these students will be better prepared to tackle professional challenges when they arise.

You can learn more about Poetry Out Loud by visiting the national recitation contest’s website at 
http://poetryoutloud.org
. Teachers interested in participating in Poetry Out Loud next year should watch for updates at 
http://www.florida-arts.org/programs/poetryoutloud/
. Thank you to all of the partners and sponsors who made this event possible, including the National Endowment for the Arts, the Poetry Foundation, Citizens for Florida Arts, the Sign Language Resource Center, Habana Boardwalk, Quality Inn & Suites, Subway, and Anhinga Press. We want to wish Kourtney the best of luck as she goes on to compete against all the other state champions in Washington, D.C. in April! Watch for an upcoming interview with Kourtney here at the Culture Builds Florida blog.

All photos by Tim Storhoff

Spotlight On: The Musical Legacy of George Soffos

by Tim Storhoff

George Soffos. Image courtesy of the Florida Folklife Program.

George Soffos. Image courtesy of the Florida Folklife Program.

Florida’s Greek and musical communities lost an important member and resource last month when master bouzouki player George Soffos passed away. Soffos was widely considered to be the best bouzouki performer in the United States, and he actively shared his musical talents as a performer and instructor across the state.

George Soffos was born on November 6, 1953. The youngest of five children, he grew up in Warren, Ohio. His Greek ancestry could be traced through his father, who was from Asklipio, Rhodes, and his maternal grandparents from Katavia, Rhodes. All three of his older brothers pursued careers in the music industry. When he was fifteen, his parents sent him to study with John Tatasopoulos, the most highly regarded bouzouki player of his day, in Washington DC. Soffos spent two years studying and playing with Tatasopoulos in clubs in the DC area, and at seventeen he began his career as an independent headliner in bouzoukia (Greek night clubs) in cities across the United States. He also toured internationally, performing in Montreal, Toronto, and numerous Greek cities, as well as in countless festivals and other special events throughout the U.S. Mr. Soffos’s career included performances on several recordings for Greek and Greek American artists, including Nikos Kritikos, George Evagoras, Hrach Yacoubian, and Grigoris Maroulis. He frequently provided instrumental backing for Greek singing stars, such as Marinella and Rita Sakelariou, when they toured in the U.S.

After relocating to the Tarpon Springs area in the late 1990s to be near family, Mr. Soffos became the most sought-after performer at local Greek bouzoukia and festivals—and thus a valued community member in an area with a strong Greek cultural presence. Tarpon Springs has a higher percentage of Greek Americans than any other city in the country. The first Greek immigrants began arriving in the 1880s to work in the local sponge harvesting industry, and the city has maintained a strong Greek tradition ever since. Multiple Greek cultural events and festivals are held there each year including the Epiphany celebration, which draws thousands of visitors every January. Soffos was an active part of this Greek community. He became a mentor to many younger musicians by teaching bouzouki classes through the City of Tarpon Springs, which encourages the preservation of Greek community arts.

Soffos continued the tradition of the bouzouki player as custodian and guardian of traditional Greek musical culture. The bouzouki is a Greek stringed instrument in the lute family that produces a sound reminiscent of a low-pitched mandolin. The instrument came to Greece through Turkey in the early twentieth century, but it had multiple precursors such as the Greek tambouras. The bouzouki is the central instrument in rebetiko, or Greek folk music, that underwent a popular revival starting in the 1950s. It has since been used to accompany a wide range of traditional and popular Greek genres, and an Irish variant recently became an important part of Irish traditional music. When Greek immigrants came to the United States in large numbers in the late nineteenth and early twentieth centuries, they brought their musical traditions with them, and following the revival of rebetiko songs in the fifties, a number of the top Greek bouzouki players came to the U.S., including Soffos’s teacher John Tatasopoulos. George Soffos continued this rich tradition and helped to see it flourish in Florida.

Mr. Soffos recently began to experience the recognition his playing deserved.  He received a Florida Folk Heritage Award in 2011, and was designated a master artist in the Florida Folklife Apprenticeship Program in 2011-12. George Soffos was most recently selected as a recipient for the 2013 Individual Artist Fellowship in the Folk and Traditional Arts discipline, but he passed away after suffering a heart attack on January 8, 2013 at the age of 59.

His career spanned diverse contexts for music making in the Greek American community. He was a regular fixture in festivals and cultural events in Florida and across the country, and he shared his musical talents by teaching young musicians and establishing professional relationships with other performers. It could be said that George Soffos’s life represents the history of Greek music in America over the last four decades, and his contributions to Greek music in Florida will continue to be heard for many years.

Spotlight On: Mapping Miami

by Lara Stein Pardo

Photograph near the MacArthur Causeway, where Zora Neale Hurston lived on a boat named The Challenger in 1950. Photo circa 2010 by Lara Stein Pardo.

Photograph near the MacArthur Causeway, where Zora Neale Hurston lived on a boat named The Challenger in 1950. Photo circa 2010 by Lara Stein Pardo.

Mapping Miami is a project about Miami’s cultural and artistic history. It is part of a larger Mapping Arts Project that ‘maps’ cities through places where artists have lived and worked. In Miami, we are beginning with a focus on the time period of the 1920s through the 1950s. While this was a particularly active time period for local and global events and the arts in Miami, it is also a time period that most people don’t know much about. This period included the Great Depression, World War II, the boom of Overtown in Miami, and also two major hurricanes which devastated parts of South Florida. Throughout all this change, the arts were active in Miami.

Did you know, for instance, that dramatist, writer, and anthropologist Zora Neale Hurston lived on a boat near the MacArthur Causeway for periods of time in between trips to Honduras? Or, that Billie Holiday maintained a room at a boarding house called Georgette’s Tea Room in Brownsville? Did you know that playwright Tennessee Williams staged A Streetcar Named Desire at the Coconut Grove Playhouse in 1956? What about the fact that Robert Frost owned a home in South Dade called Pencil Pines?  He even wrote a poem by the same name as the tall pines on the property inspired his work. These are just a few examples of the artists and places we are mapping in this project. Our map-in-progress shows these sites and more:
http://goo.gl/maps/UPXm
.

The Mapping Arts Project connects the arts, history, and the public in an innovative way. Inspired by my background as an artist and cultural anthropologist, I started the project in 2009. In 2010, Blackbird Arts and Research, a 501(c)3 nonprofit organization, was founded to support this work and other innovative projects that connect history, arts, and the public.  This project has received support by granting organizations, archives, and universities including the Miami-Dade Department of Cultural Affairs, the Deering Estate at Cutler Bay, HistoryMiami, the University of Miami, Arts of Citizenship at the University of Michigan, and Imagining America. They have helped the project to grow while providing much needed historical content, research assistance, and seed funding. We recently received a Community Grant from the Miami-Dade County Department of Cultural Affairs, and now we are seeking to raise funds from individuals to match the grant and develop the project.

Photograph of the Coconut Grove Playhouse, where Tennessee Williams staged A Streetcar Named Desire in 1956. Photograph circa 2013 by Lara Stein Pardo.

Photograph of the Coconut Grove Playhouse, where Tennessee Williams staged A Streetcar Named Desire in 1956. Photograph circa 2013 by Lara Stein Pardo.

Currently, we are redesigning our website so that we can share the wealth of information that we’ve gathered over the past several years. Our goals are to:

  • Connect arts, history, and the public by sharing valuable information in an open access format (free and online).
  • Build a well-designed website that shares information and images in a way that is easy to access, and looks good too.
  • People engage with history and the arts in new and fun ways.
  • Develop a platform for this kind of project so that more projects like this can be developed in the future.
  • Build on and connect resources already available, but may not be easy to find or access.
  • Showcase the importance of arts and history in Miami and other cities.
  • Link geography and the arts by using maps to tell the story of cultural arts history.
  • Reach broad audiences ranging from children to adults, locals to tourists, students to professionals, and more.
  • Inspire artists, writers, musicians, performers, dancers, and anyone interested in the arts, really, by sharing our rich cultural heritage.
  • and more!
Billie Holiday at Georgette’s Tea Room circa 1950, courtesy of HistoryMiami.

Billie Holiday at Georgette’s Tea Room circa 1950, courtesy of HistoryMiami.

Georgette’s Tea Room circa 2011, photograph by Lara Stein Pardo.

Georgette’s Tea Room circa 2011, photograph by Lara Stein Pardo.

If you would like to learn more or become a supporter of the project, we invite you to visit our page on Indiegogo: 
http://igg.me/p/296071/x/1899410
. All contributors will become members of the project, and receive behind the scenes updates, invitations, and news. We also came up with some special perks to show you our thanks. We’re looking forward to including you, your story, and our history in the project.

This project, like the Culture Builds Florida campaign, highlights the diversity of the Miami community and its residents, creates connections to our history and heritage and reminds us that Florida is a special place to live and work. As part of this interdisciplinary project, we plan to share archival photographs and documents, information about the artists, essays, syllabi, lesson plans, tours, podcasts, and even more as we move forward. By making this information available and then doing the same for other cities, we will illustrate and emphasize the important role of the arts and artists to the development of our communities.

Spotlight On: Enid Shomer’s The Twelve Rooms of the Nile

by Tim Storhoff

Shomer Twelve Rooms of the NileEarly on in Enid Shomer‘s professional writing career, she won the Florida Division of Cultural Affairs Individual Artist’s Fellowship for literature. Last month, Enid’s first novel The Twelve Rooms of the Nile was named by NPR as one of 2012′s best works of historical fiction. The book tells the story of Florence Nightingale before she came to prominence during the Crimean War and Gustave Flaubert before he began writing Madame Bovary. According to the book’s description, “She is a woman with radical ideas about society and God, naive in the ways of men. He is a notorious womanizer, involved with innumerable prostitutes. But both are at painful crossroads in their lives and burn with unfulfilled ambition.” On a trip along the Nile in 1850, these two travelers ignite an unlikely friendship and share some of their deepest secrets and most fervent hopes, all colored by the exotic backdrop of mid-nineteenth century Egypt.

In the following video from publisher Simon and Schuster, you can hear Enid describe her inspiration for the novel:

 

Shomer has had her poetry and fiction published widely, and her work has appeared in The New YorkerThe AtlanticParis ReviewBest American PoetryBest New Stories from the South and many other magazines as well as more than seventy anthologies and textbooks. As a Visiting Writer, Shomer has taught at the University of Arkansas, Florida State University, and the Ohio State University, where she was the Thurber House Writer-in-Residence. In 2002, Shomer became the Poetry Series Editor for her former poetry publisher, the University of Arkansas Press. Most recently, she has taught in the MFA program at Ashland University and the University of Tampa.

As a three-time DCA Individual Artist’s Fellowship recipient, I asked Enid about the impact that the small but prestigious awards had on her career. She said:

When I won my first Individual Artist’s Fellowship, it was not only financially helpful; it also reinforced the choice I had made to put everything else aside and “go for” a career as a full-time writer. Five years later (by this time I had published a book of poetry) a second grant enabled me to work on a project that became my first book of fiction, Imaginary Men, which won the Iowa Short Fiction Award and the LSU/Southern Review Award, both given annually for the best first collection of fiction by an American writer.

Of course, three state grants totaling $15,000 over a lifetime cannot change anyone’s economic status, but it is enough money to invest in a good computer, to cover the cost of office supplies, clerical help, printing, even travel to meet one’s agent or for research, and so forth. Equally important for me was the impact of other peoples’ confidence in my own talent. Poets and fiction writers work in isolation. It is the vote of approval and most of all the interest of one’s peers—the judges and the Arts Council—in one’s work that makes these grants so meaningful. I felt incredibly grateful, even indebted, to my home state, an obligation I discharged by serving as a judge three times on the Literature panel.

The Florida Division of Cultural Affairs would like to congratulate Ms. Shomer on the success of The Twelve Rooms of the Nile and thank her for the contributions she has made to Florida’s literary community.

You can also read the first chapter of the novel and listen to comedian and writer Russell Kane interview Ms. Shomer for BBC Radio hereThe Twelve Rooms of the Nile is now available for purchase in your local bookstores and online. Learn more about our Individual Artists Fellowship at the Division of Cultural Affairs website.

Spotlight on an Arts and Humanities Halloween

By Tim Storhoff

As National Arts and Humanities Month comes to a close over the next week, we strongly encourage you to take some time out to appreciate the arts in your community. While you’re at it, you might as well enjoy some spooky Halloween fun! Today we are spotlighting a handful of events hosted by some Florida Division of Cultural Affairs grantees that will allow you to get into the Halloween spirit.

Superheroes enjoying the music instrument zoo at the 2011 Symphonic Spooktacular. Photo courtesy/used by permission of Jacksonville Symphony Orchestra.

If you’re in the Jacksonville area, the Jacksonville Symphony is having its Symphonic Spooktacular on Sunday, October 28. Pre-concert events including games and an instrument zoo start at 2:00 p.m., and the concert begins at 3:00. Kids are encouraged to wear their costumes for what should be a frighteningly fun musical afternoon. Paul Witkowski of the Symphony described the event saying, “Kids and families really love going to the Symphony for this annual event. It’s nearly a full house every year, celebrating Halloween, celebrating their creativity (with the creativity of their parents, of course) and kicking off the EverBank Family series.”

Under the direction of conductor Scott Gregg, the concert will include music from Harry PotterWilliam Tell Overture, Funeral March of a Marionette,andcomposer Gregory Smith’s A Major-minor Mystery. Dancers from Douglas Anderson School of the Arts will be featured in “Duel of the Fates” from Star Wars: The Phantom Menace. Make sure to bring the kids in their favorite costumes to join the ghouls and goblins of the orchestra and arrive early for the pre-concert activities. For more information and to purchase tickets, visit 
http://www.jaxsymphony.org
.

Learning more about the orchestra at the 2011 Symphonic Spooktacular. Photo courtesy/used by permission of the Jacksonville Symphony Orchestra.

Theatre fans in the Tampa area looking for a Devilishly good time should check out The Screwtape Letters presented by the Fellowship for the Performing Arts at the Straz Center on Saturday, October 27 and Sunday, October 28. This touring theatrical adaptation of the C.S. Lewis novel has been widely praised, and its demon-rich plot will fit well into a Halloween weekend. Wilborn Hampton of The New York Times called the performance “a humorous and lively stage adaptation…the Devil has rarely been given his due more perceptively and eruditely…clever and satirical.” Terry Teachout of The Wall Street Journal said it was “One Hell of a good show!”

The play is set in an eerily stylish office in hell and follows the clever scheming of Satan’s chief psychiatrist, Screwtape, as he entices a human ‘patient’ toward damnation. The Screwtape Letters is still one of Lewis’s most popular and enduring works along with The Chronicles of Narnia, and it includes many of the theological themes and insights into human nature that his writing was known for. For more information and to purchase tickets, go to
http://www.screwtapeonstage.com
or 
http://www.strazcenter.org
.

Max McLean stars as “Screwtape” in THE SCREWTAPE LETTERS. Tickets range from $29 – $89. Student tickets are available for $25 each; limit two per customer, at the Box Office. Valid ID must be presented. All ticket prices are subject to facility fees. To purchase tickets or for more information, visit http://www.ScrewtapeonStage.com. Photo courtesy/used by permission of the Fellowship for the Performing Arts.

Another fun Halloween-appropriate spectacle will be the Rocky Horror Show at the Delray Center for the Arts. If you have never experienced Rocky Horror live, it is more than a musical. It is an experience that you will not forget. This performance is presented by Entr’ Acte Theatrix, and they will have audience participation ‘survival kits’ available for purchase to those who want them. This show is an outrageous assemblage of the most stereotypical science fiction movies, Marvel comics, Frankie Avalon/Annette Funicello outings, rock ‘n’ roll of every vintage, and not for kids. The play (upon which the classic film The Rocky Horror Picture Show is based) has grown from an experimental production originally produced in a small London theatre in June 1973, to a cult phenomenon with fans world-wide.

Rocky Horror will be in the Crest Theatre at the Delray Center for the Arts from October 25 to November 4. So if you’re in the area, you should have a fun Arts and Humanities Halloween with Dr. Frank N. Furter doing the Time Warp again. Purchase tickets at 
http://delraycenterforthearts.org
.

You should also check out the museums, galleries, and zoos in your area for some fun Halloween activities. Here are a few of those events organized by Division grantees:

  • Boo at the Zoo at the Brevard Zoo, Friday-Sunday, October 26-28 from 5:30 to 9:30 p.m. The Boo at the Zoo features a variety of activities for the whole family to enjoy including live stage acts, a special play area, a costume contest, Boo Choo train rides, a witch’s lair, a haunted trail, and trick-or-treating.
  • Halloween Nights at the Museum at the South Florida Science Museum, Friday October 26 from 6 to 10 p.m. This fun and educational event includes a costume contest, trick or treating, pumpkin decorating (and smashing!), and even cow eyeball dissection. For more information contact events@sfsm.org.
  • The Tallahassee Museum’s Halloween Howl, Friday and Saturday, October 26 and 27 from 6:00 to 10:00 p.m. Come out for a howling good time, which includes a haunted trail (and a not-so-spooky trail for younger kids), the haunted farm, carnival games, a costume contest, and live music.

These are only a few of the events going on over the next week, but whatever you do we hope that you will take out some time to appreciate the arts in your community during this last week of National Arts and Humanities Month. We also want to wish everyone a safe and fun Halloween!

How will you have an Arts and Humanities Halloween? Suggest additional events and opportunities in the comments below or as comments for this post on our Facebook page.

Spotlight on the Florida Artists Hall of Fame nominees, Part III

By Tim Storhoff and Ken Crawford

Today we are finishing our look at the nominees for the 2013 Florida Artists Hall of Fame. Earlier this week we looked at the 2013 musical nominees and visual arts nominees. Established by the Florida Legislature in 1986, the Florida Artists Hall of Fame recognizes persons, living or deceased, who have made significant contributions to the arts in Florida either as performing or practicing artists in their disciplines. These individuals contribute to Florida’s national or international reputation as a state with a sustained commitment to the development of cultural excellence. The Florida Artists Hall of Fame currently consists of over 30 inductees, including musician and performer Ray Charles, actor and director Burt Reynolds, writers Zora Neale Hurston, Tennessee Williams and Ernest Hemingway, filmmaker Victor Nunez, and visual artists Duane Hanson, Robert Rauschenberg and James Rosenquist. Read more about the program, nominating process, and view the full list of inductees at the Division of Cultural Affairs Florida Artists Hall of Fame page.

Here are the final six nominees for this year:

Gloria Jahoda: Writer – Tallahassee (1927-1980)
The author of novels and non-fiction works set in the early 20th Century in North Florida, including The River of The Golden Ibis, The Road to Samarkand, and Florida: A Bicentennial History,  was, according to her nominator Robert Holladay,“…a gifted writer, reporter and trained anthropologist with the soul of a poet.” She was often referred to as the Marjorie Stoneman Douglas of North Florida, since her work sought to celebrate and protect the wildlife and natural environment of this region. Her stories of the people of the Big Bend capture a moment in the natural history of the Gulf Coast.  Senator Bob Graham heralded her work in a state proclamation. When she died, the Florida Muscogee Creek Nation scattered her ashes in a ceremony normally reserved for Native Americans. Ms. Jahoda’s complete collection of writings, letters and research are contained in a collection at the Strozier Library at Florida State University. Her most well-known book, The Other Florida, pre-dates works that were published later by other writers, calling for environmental conservation and expressing a close connection to the land and waters of Florida.

Alexander Key: Writer/Illustrator – Apalachicola (1904-1979)
A nationally-known book and magazine illustrator, Alexander Key’s books set in North Florida celebrate the sensibilities of small towns along the Suwannee River and the Gulf Coast, particularly Apalachicola. He sold stories to the Saturday Evening Post and Colliers before beginning to write books. Mr. Key was inspired by local Apalachicola landmarks; weaving tales of local lore into books such as Island Light, The Wrath and the Wind, Suwannee River: Strange Green Land, and other novels. These were well-known by readers interested in stories written in a mythic style with a sense of folk history and inquiry into the natural world. He also wrote young adult science fiction and children’s books after he married and had children, including The Forgotten Door, and his popular Escape to Witch Mountain, which was made into a Walt Disney film in 1975, 1995, and again in 2009.

Adelia Malouf Samaha: Mixed Media – St. Petersburg (1929- )
A painter, multi-media expressionist and fabric artist, Adelia Malouf Samaha’s distinctive floral art in a variety of media have become widely known, as have her portraits in oil of prominent cultural figures in the state, including former Governor Charlie Crist. Her choice of media for floral compositions and special commissions has also included pastels, watercolors, pottery, silk screening and stained glass. She is a major supporter of the St. Petersburg Museum of Arts, teaches volunteer art classes in the Pinellas County Schools, and gives art instruction to disadvantaged young students at neighborhood centers throughout the county. Ms. Samaha is celebrated for her support of numerous charities. She donates work to many organizations and local causes. She and her husband have restored two historic buildings, one of which is listed on the St. Petersburg Historic Buildings List.

O.L. Samuels with Dana (carved wood, 2007)

O. L. Samuels:
Folk Artist/Sculptor – Tallahassee (1931- )
The Reverend O.L. Samuels is a well-known folk artist, largely untrained and unlettered, who began his life as a laborer, became a middle-weight boxer, and then pastor of two churches, before following his dream to become an artist while continuing to preach. His work: unusual wood carvings with a highly colorful ornamental and emotional content, has been much appreciated since he began creating those sculptural pieces in 1983. Rev. Samuels’ art is now widely collected in folk art museums, galleries and in many private international collections. These include the Smithsonian’s African-American Art Museum, the Harriet Tubman Museum, and the White House Collection. His life and work have also been documented in dissertations, films, and published works on the subject of American Folk Art. You can find his website at www.olsamuelsfolkart.com.

Mario Sanchez: Folk Artist/Sculptor – Key West (1908-2005)
Florida Folk Heritage 1991 Award Winner Mario Sanchez was a self-taught folk artist who documented his community’s cultural history in street scenes of the Key West and Ybor City Cuban populace which he witnessed for 96 years and characterized in imaginative painted carvings, paintings and drawings. One of his works was chosen by the Department of State as the image to celebrate Florida’s sesquicentennial in 1995. Mr. Sanchez is the subject of books, documentary films, television programs, and many research articles. His work is exhibited in many important collections. In his 75-year career, Mr. Sanchez produced over 600 works. In 2002, the American Museum of Folk Art recognized him as “the greatest living Cuban-American folk artist.” He was a man of the people and the neighborhood. He could always be found outdoors in his garden “studio,” greeting those who passed by as he worked, and sharing memories of early times as he placed these same images into his art. You can view some of his works and read more about him at the Key West Art and Historical Society page.

Buell Lee Whitehead: Printmaker/Lithographer – Fort Myers (1919-1994)
The artist Buell Lee Whitehead grew up in rural Fort Myers when that area was still the backwoods in the 1920s and 1930s. Cutting firewood for the money to go to college, he entered the University of Florida in 1938, and, following war service, graduated with one of the first Bachelor of Fine Arts degrees. His early work attracted so much attention that the University commissioned him to do the official portrait of the dean of the school. As an inspired painter, printmaker, lithographer and engraver, he lived most of his live in Southwest Florida; choosing the subjects of his stylized works from familiar surroundings. His art chronicles early 20th Century landscapes and community lifestyles from the perspective of the beginning citrus, sugar, timber and fishing industries of that area. Later, he was the first Florida artist who travelled the U.S. selling original lithographs from a press mounted on a flatbed truck that traveled with him. Whitehead was one of the nation’s earliest well-known printmakers. You can read more about Whitehead in Ronald Newsom’s book Buell Lee Whitehead: A True Southern Treasure or at www.buellwhitehead.com.

The 2013 inductees to the Florida Artists Hall of Fame will be announced later this year, and they will be inducted on March 20, 2013 during the Florida Heritage Awards in Tallahassee. We encourage you to visit the Florida Artists Hall of Fame wall on the plaza level in the rotunda of the Florida Capitol Building.